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Ensoniq Mirage

The Ensoniq Mirage is a digital synthesizer and sampler introduced in 1984 by the Pennsylvania-based company Ensoniq. The Mirage was one of the first affordable digital synthesizers on the market and quickly gained popularity among professional and amateur musicians.

The Mirage featured a unique sound generation system called “DSS” (Digital Sampling Synthesis) which combined the capabilities of both sampling and synthesis. It allowed the user to record and manipulate samples in real-time and then use them as the basis for creating new sounds. The Mirage also featured a built-in 8-track sequencer and a variety of preset and user-editable sounds, making it a versatile and powerful instrument.

One of the most notable features of the Mirage was its low cost. At the time of its release, it was significantly less expensive than other digital synthesizers on the market, such as the Fairlight CMI and the Synclavier. This made it accessible to a broader range of musicians and helped to establish Ensoniq as a major player in the synth market.

The Mirage’s design was also notable for its compact size, making it easy to transport and set up. The synth featured a built-in keyboard with velocity-sensitive keys and could also be played using an external MIDI controller.

The Mirage was also known for its ease of use. The interface was simple and intuitive, with a clear layout that made it easy to navigate and edit sounds. The built-in sequencer also made it simple for users to record and edit their own compositions.

Ensoniq released several updates and upgrades to the Mirage throughout its production run, including the Mirage DSK-1, Mirage DSK-8, and Mirage DSK-16. The DSK-1 and DSK-8 were expansion units that added extra memory and more advanced sequencing capabilities to the Mirage. The Mirage DSK-16 was a rack-mount version of the Mirage that did not include a built-in keyboard.

The Ensoniq Mirage was discontinued in the early 1990s, but it remains a cult classic among synth enthusiasts. Its unique sound generation system and ease of use made it a popular choice for electronic music producers, and it can be heard on many tracks from the 1980s and 1990s.

In conclusion, The Ensoniq Mirage was a revolutionary digital synthesizer that was affordable, easy to use, and powerful. Its combination of sampling and synthesis capabilities, built-in sequencer and its low cost made it a popular choice among musicians of the time. It remains a cult classic and its sound can be heard on many tracks from the 80s and 90s.

Used by

  • Depeche Mode: The band extensively used a Mirage on their album “Black Celebration” and their “Music for the Masses” tour.
  • New Order: The band used a Mirage on their ” Technique ” album and their “World In Motion” single.
  • Pet Shop Boys: The band used a Mirage on their album “Please” and also on their “Actually” album.
  • Jean-Michel Jarre: The French electronic musician used a Mirage on his album “Rendez-Vous”
  • Thomas Dolby: The English musician and producer used a Mirage on his album “The Golden Age of Wireless”
  • A-ha: The Norwegian band used a Mirage on their album “Scoundrel Days”
  • Vince Clarke: The musician and producer used a Mirage on his album “The Clarke Duke Project”
  • Neneh Cherry: The singer-songwriter used a Mirage on her album “Raw Like Sushi”
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PPG Wave

The PPG Wave synthesizer, also known as the Wavecomputer, was a digital synthesizer developed by the German company PPG (Palm Products GmbH) in the 1980s. The instrument was distinguished by its distinctive tone, which was produced by combining additive and wavetable synthesis methods.

With the debut of the PPG Wave 2.2 in 1981, the PPG Wave was first made public. This model has a 61-note keyboard and an integrated 8-track sequencer. Many well-known bands, including Tangerine Dream, Pet Shop Boys, and Depeche Mode, utilized the instrument. Musicians in the electronic and experimental music genres soon welcomed it.

The PPG Wave’s wavetable synthesis method, which lets users manipulate many single-cycle waveforms to produce complex and changing sounds, was one of its standout features. The device also has a variety of built-in waveforms, such as sine, square, and sawtooth waves, as well as some more complex waveforms, such as formants and noise.

The PPG Wave’s ability to perform additive synthesis was another noteworthy aspect. This method allows users to combine several sine waves with various frequencies and amplitudes to produce sounds. This made it possible to create sounds that were even more intricate and nuanced than with only wavetable synthesis.

The PPG Wave had a variety of valuable features in addition to its synthesis capabilities, including an arpeggiator, a built-in chorus effect, and numerous modulation possibilities.

Eventually, the PPG Wave was replaced by the PPG Wave 2.3 and PPG Wave 2.3 Turbo, which had better sound and more memory. The PPG Wave was well-liked by electronic and experimental musicians, but as newer and more sophisticated synthesizers became available in the late 1980s, production of the instrument eventually ceased.

Despite this, the PPG Wave is still regarded as a cult favorite among synth lovers, and its features and sounds are still in high demand.

Used by

  • Tangerine Dream: The German electronic music band was one of the first and most prominent users of the PPG Wave. The band used the instrument on several of their albums, including “Exit” and “Hyperborea.”
  • Pet Shop Boys: The British synthpop duo used the PPG Wave on several of their early albums, including “Please” and “Actually.”
  • Depeche Mode: The British electronic band used the PPG Wave on their album “Black Celebration,” which was released in 1986.
  • Gary Numan: The British musician and pioneer of electronic music used the PPG Wave on his album “The Fury,” which was released in 1985.
  • Jean Michel Jarre: The French electronic musician also used PPG Wave on his album “Zoolook” which was released in 1984.
  • Art of Noise: The British band and pioneers of sample-based music used PPG Wave on their album “In Visible Silence” which was released in 1986
  • New Order: The British band used PPG Wave on their album “Power, Corruption & Lies” which was released in 1983
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Casio CZ

The Casio CZ synthesizer series was first introduced by Casio in the early 1980s and quickly gained popularity among musicians and producers for their compact size and affordable price. The phase distortion synthesis used in the CZ series, which stands for “Compact and Zooming,” was noteworthy because it was a relatively new technique for creating sounds at the time.

The Casio CZ synthesizers’ portability and compact size were two of their standout qualities. They are a popular option for traveling musicians because they are lightweight and easy to transport. The CZ series synthesizers were compact, but they were jam-packed with a variety of features and abilities.

Phase distortion synthesis, a then-relatively-new method of sound creation, was a feature that set the Casio CZ series apart. Using this method, the synthesizers were able to create a variety of sounds, including bass, leads, and percussion. The CZ synthesizers also included a variety of built-in effects, such as delay and reverb, which enhanced the sounds the synthesizer produced.

The Casio CZ series’ use of digital technology was yet another distinguishing trait. The synthesizers had powerful microprocessors that provided fine control over the sounds generated. The CZ series was able to create a variety of sounds that were impossible with conventional analog synthesizers thanks to this and the use of phase distortion synthesis.

Another noteworthy aspect of the Casio CZ series was its reasonable cost. The Casio CZ series was affordable for a wide range of musicians and producers at a time when the majority of professional synthesizers cost thousands of dollars.

Phase distortion synthesis was a new type of synthesis that Casio unveiled in its CZ synthesizer line in the middle of the 1980s (PDS). Phase distortion synthesis is a technique for creating sounds that rely on changing a waveform’s phase. PDS makes it possible to create a wider variety of sounds than is possible with conventional subtractive synthesis because it gives users more control over the harmonic content of a sound.

In terms of music technology, the Casio CZ series of synthesizers represented a significant advancement. Its portability, low cost, and abundance of high-tech features made it possible for musicians to create a variety of sounds. Phase Distortion Synthesis, a novel synthesis technique that marked a significant advancement in sound creation, was also introduced with the CZ series. The CZ series is still popular among musicians and producers who appreciate its distinctive sound and adaptability today. It is regarded as a classic.

One of the key features of the Casio CZ synthesizers was their compact size and portability. They were designed to be lightweight and easy to transport, making them a popular choice for musicians on the go. Despite their small size, however, the CZ series synthesizers were packed with a wide range of features and capabilities.

The Casio CZ series was notable for its use of phase distortion synthesis, a method of sound generation that was relatively new at the time. This technique allowed the synthesizers to produce a wide range of sounds, including bass, leads, and percussive sounds. The CZ synthesizers also featured a wide range of built-in effects, including reverb and delay, which helped to enhance the sounds produced by the synthesizer.

Another key feature of the Casio CZ series was its use of digital technology. The synthesizers were equipped with powerful microprocessors that allowed for precise control over the sounds produced. This, combined with the use of phase distortion synthesis, allowed the CZ series to produce a wide range of sounds that were not possible with traditional analog synthesizers.

The Casio CZ series was also notable for its affordable price. At a time when most professional synthesizers cost thousands of dollars, the Casio CZ series was priced at a fraction of the cost, making it accessible to a wide range of musicians and producers.

Overall, the Casio CZ series of synthesizers was a major development in the world of music technology. It was portable, affordable and packed with advanced features that allowed musicians to produce a wide range of sounds. The CZ series also introduced a new synthesis method, Phase Distortion Synthesis, that was a major development in the field of sound generation. Today, the CZ series is considered a classic and still has a following among musicians and producers who value its unique sound and versatility.

Used by

  1. Depeche Mode: The band used the Casio CZ-101 on their album “Some Great Reward” (1984) to add a unique and distinctive sound to their music.
  2. New Order: The band used the Casio CZ-1000 on their album “Power, Corruption & Lies” (1983) and other of their albums, to add a unique and distinctive sound to their music.
  3. Pet Shop Boys: The band used the Casio CZ-1000 and CZ-3000 in their early albums and live performances.
  4. OMD (Orchestral Manoeuvres in the Dark): The band used the Casio CZ-101 and CZ-1000 in their albums and live performances.
  5. Jean-Michel Jarre: Jarre used the Casio CZ-101 and CZ-3000 in his album “Zoolook” (1984) and other of his albums and live performances.
  6. Vince Clarke: The musician and songwriter used the Casio CZ-101 and CZ-3000 extensively in his work with the band Depeche Mode and his solo projects.
  7. Aphex Twin: The musician used the Casio CZ-101 in his early albums, adding a unique and distinctive sound to his music.
  8. Harold Faltermeyer: The German keyboardist and composer used the Casio CZ-101 in his album “Axel F” and other of his albums, adding a unique and distinctive sound to his music.
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Ensoniq ESQ-1

The Ensoniq ESQ-1 is a digital synthesizer that was first introduced in 1986. Ensoniq, an American company well-known for its electronic musical instruments, created and produced them. In the latter half of the 1980s and the beginning of the 1990s, producers and musicians frequently used the ESQ-1, and synth fans still covet it today.

The hybrid synthesis engine of the ESQ-1 is one of its fundamental characteristics. Because it combines the capabilities of digital and analog synthesis, a variety of sounds and textures are possible. The ESQ-1 comes with a library of pre-recorded samples that can be used to create sounds. The digital side of the synthesis engine is based on samples. Subtractive synthesis, which uses filters to shape and sculpt sounds, is the foundation of the analog side of the synthesis engine.

A strong sequencer included with the ESQ-1 enables users to construct intricate and complex compositions. The sequencer has numerous editing options and can hold up to 100,000 notes. Additionally, it has an integrated drum machine, which is excellent for making beats and rhythm tracks.

The ESQ-1 has a modern, straightforward user interface that is simple to use. It has a sizable LCD screen that shows all the crucial details, such as the settings for each parameter and the current patch. The keyboard has 61 velocity-sensitive keys, and the aftertouch feature on the instrument enables even more expressive playing.

The ESQ-1’s capacity to store and recall patches is among its most notable features. Users can save and load patches to and from external storage devices, and the instrument can store up to 64 patches in its internal memory.

In conclusion, the Ensoniq ESQ-1 is a traditional digital synthesizer that has withstood the test of time. It is a flexible instrument that can produce a wide variety of sounds and textures thanks to its hybrid synthesis engine and powerful sequencer. It’s a fantastic studio and live-use option due to its user-friendly interface and capacity for storing and recalling patches. The instrument is still highly sought after by collectors and synth enthusiasts.

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Korg M1

The Korg M1 is a digital workstation and music synthesizer that was first introduced in 1988. It quickly rose to prominence and became one of the most recognizable synthesizers of all time. Musicians from all genres have used it on countless recordings and live performances.

Korg’s AI (Advanced Integrated) synthesis technology, which combines samples of real instruments with synthesis techniques to produce a wide variety of realistic and expressive sounds, was first implemented in the M1 synthesizer. Additionally, the M1 was the first synthesizer with an integrated sequencer, enabling musicians to record and replay their performances.

The M1 offered a variety of synthesized sounds, such as basses, pads, and leads, in addition to an assortment of natural sounds like piano, guitar, drums, and orchestral instruments. It also included a variety of effects, such as distortion, delay, and reverb. Musicians could record and edit their performances on the M1’s internal sequencer, which could also import and export MIDI data.

Musicians of all skill levels can use the M1 easily thanks to its user interface, which was created to be clear and straightforward. The M1 also included many performance-oriented features that enabled musicians to construct intricate and expressive performances, such as split and layer capabilities, an arpeggiator, and keyboard scaling.

The M1 was renowned for its robust design, dependability, and powerful synthesis and sequencing capabilities. Many well-known musicians used the M1 extensively on tour and in professional recording studios. It was a mainstay in the Pop, R&B, and Dance Music scenes and the electronic music scene.

During its ten-year production run, the Korg M1 sold more than 250,000 units globally. The M1EX, an upgraded version of the M1, and the T-series succeeded it. Numerous software and hardware emulations are still available today, preserving its legacy.

The Korg M1 was a revolutionary synthesizer that altered how musicians compose and perform music. Realistic sounds, effective sequencing, and an easy-to-use user interface made it a must-have tool for musicians of all levels. It is still regarded as one of the most recognizable synthesizers in the history of electronic music because of its lasting legacy.

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Roland D-50

The Roland D-50 is a digital synthesizer that was first released in 1987. It is renowned for its distinctive sound, which combines real instrument samples with sound synthesis techniques to produce a fresh, hybrid sound.

The D-50 uses “Linear Arithmetic” synthesis, a technique that combines sample-based synthesis with the conventional subtractive synthesis method, making it one of its standout features. This makes it possible to have more control over the instrument’s timbre and a wider variety of sounds.

The D-50’s extensive use of presets is yet another standout feature. The instrument includes a wide range of pre-programmed sounds, such as accurate piano and string sounds and more experimental and abstract sounds. Because of this, even new users can quickly produce complex music that sounds professional.

Despite its age, the D-50 is still a preferred option for producers and musicians. Its unique sound has been featured on countless recordings and is still used in a wide range of genres, such as electronic, pop, and film scores.

The D-50’s lack of MIDI support is one drawback; it was introduced before MIDI became a standard, making it challenging to integrate with contemporary production environments. However, a MIDI retrofit or converter can be used to get around this.

Overall, the Roland D-50 is a legendary and classic synthesizer that is still highly sought after for its distinctive and adaptable sound. The D-50 is certain to spark creativity and give your music a fresh perspective, whether you’re a seasoned pro or just getting started.

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Yamaha DX7

The Yamaha DX7 is a synthesizer that was first introduced in 1983. It immediately became well-liked by musicians and producers because of its distinctive sound qualities and adaptability. The DX7 was the first synthesizer to use FM synthesis, a method that makes it feasible to produce complex, subtle sounds that were before unattainable.

The DX7’s six-operator FM synthesis engine, which enables the manipulation of sine wave oscillators to produce various sounds, is one of its primary characteristics. The 16-voice polyphony of the DX7 allows for the simultaneous playback of numerous notes. With the ability to save and retrieve patches and performances, the keyboard boasts a velocity- and aftertouch-sensitive keyboard and powerful editing features.

From pop and rock bands like Depeche Mode and Phil Collins to jazz and experimental musicians like Herbie Hancock and Brian Eno, a wide variety of musicians and producers have employed the DX7. Numerous records from the 1980s and 1990s have its distinctive digital sound, and electronic and experimental music continue to use it frequently.

The DX7 is still a solid and adaptable synthesizer, even after all these years. The DX7 is a well-liked option for electronic music production and live performance because numerous contemporary software synthesizers and plugins have been created to mimic its sound and capabilities.

The Yamaha DX7 is a timeless synthesizer that has withstood the test of time in general. It is an effective instrument for producing a variety of sounds thanks to its distinctive FM synthesis engine and rich editing features. Due to its success in the 1980s and 1990s, it gained a permanent position in music history and is still extensively employed today.

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Korg MS-20

The Korg MS-20 is a classic analog synthesizer first introduced in 1978 by Korg. It swiftly established itself as a standard in the music business, being utilized by many different musicians in various musical genres, such as rock, pop, and electronic music.

The MS-20’s patchable design, which offers a variety of sound-sculpting choices, is one of its defining characteristics. It contains a low-pass filter, two voltage-controlled oscillators, and several modulation choices. Due to its peculiar filter design, the MS-20 also has a recognizable squelchy sound.

In addition to its small size and portability, the MS-20 was a favorite of touring musicians. The live stage arrangements of well-known bands like Depeche Mode and New Order demonstrate this.

The MS-20 mini, a scaled-down version of the original synthesizer with the same capabilities and tone, was released by Korg in 2007. This made the MS-20 more approachable for producers and musicians.

The Korg MS-20 is a well-known vintage analog synthesizer with a patchable design, squelchy sound, and mobility. With the reintroduction of the MS-20 mini, its legacy has continued to inspire new generations of musicians.

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