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Moog Polymoog

The Polymoog is a polyphonic analog synthesizer manufactured by Moog Music in the 1970s. It was one of the first polyphonic synthesizers available to musicians and was known for its rich, expressive sound and versatility.

The Polymoog was first introduced in 1975 as a follow-up to the popular Minimoog monophonic synthesizer. The Polymoog featured a 71-note weighted keyboard and was capable of producing up to six voices simultaneously, making it a popular choice for musicians who wanted to add a more complex and dynamic sound to their music.

One of the key features of the Polymoog was its use of filtering, which allowed users to shape the synth’s sound in various ways. The synth featured a 24dB/octave resonant low-pass filter, which could be used to create a wide range of sounds, from subtle to extreme. Additionally, the Polymoog featured a 3-band equalizer, which allowed users to adjust the balance of bass, midrange, and treble frequencies.

The Polymoog also featured a variety of modulation sources, including an LFO, a sample-and-hold generator, and an envelope generator. These tools allowed users to add movement and variation to their sounds, creating a wide range of textures and effects.
The Polymoog’s sound generation was based on subtractive synthesis and featured a voltage-controlled oscillator. The Polymoog also featured a noise generator, which could be used to add percussive or other natural sounds to the synth’s sound palette.

Despite its popularity, the Polymoog was in production for only a few years, and production was halted in 1980. However, the Polymoog has become a cult classic and is still highly sought-after by synth enthusiasts today. Its rich, expressive sound and versatility make it a popular choice for musicians looking to add a unique and dynamic sound to their music.

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PPG Wave

The PPG Wave synthesizer, also known as the Wavecomputer, was a digital synthesizer developed by the German company PPG (Palm Products GmbH) in the 1980s. The instrument was distinguished by its distinctive tone, which was produced by combining additive and wavetable synthesis methods.

With the debut of the PPG Wave 2.2 in 1981, the PPG Wave was first made public. This model has a 61-note keyboard and an integrated 8-track sequencer. Many well-known bands, including Tangerine Dream, Pet Shop Boys, and Depeche Mode, utilized the instrument. Musicians in the electronic and experimental music genres soon welcomed it.

The PPG Wave’s wavetable synthesis method, which lets users manipulate many single-cycle waveforms to produce complex and changing sounds, was one of its standout features. The device also has a variety of built-in waveforms, such as sine, square, and sawtooth waves, as well as some more complex waveforms, such as formants and noise.

The PPG Wave’s ability to perform additive synthesis was another noteworthy aspect. This method allows users to combine several sine waves with various frequencies and amplitudes to produce sounds. This made it possible to create sounds that were even more intricate and nuanced than with only wavetable synthesis.

The PPG Wave had a variety of valuable features in addition to its synthesis capabilities, including an arpeggiator, a built-in chorus effect, and numerous modulation possibilities.

Eventually, the PPG Wave was replaced by the PPG Wave 2.3 and PPG Wave 2.3 Turbo, which had better sound and more memory. The PPG Wave was well-liked by electronic and experimental musicians, but as newer and more sophisticated synthesizers became available in the late 1980s, production of the instrument eventually ceased.

Despite this, the PPG Wave is still regarded as a cult favorite among synth lovers, and its features and sounds are still in high demand.

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  • Tangerine Dream: The German electronic music band was one of the first and most prominent users of the PPG Wave. The band used the instrument on several of their albums, including “Exit” and “Hyperborea.”
  • Pet Shop Boys: The British synthpop duo used the PPG Wave on several of their early albums, including “Please” and “Actually.”
  • Depeche Mode: The British electronic band used the PPG Wave on their album “Black Celebration,” which was released in 1986.
  • Gary Numan: The British musician and pioneer of electronic music used the PPG Wave on his album “The Fury,” which was released in 1985.
  • Jean Michel Jarre: The French electronic musician also used PPG Wave on his album “Zoolook” which was released in 1984.
  • Art of Noise: The British band and pioneers of sample-based music used PPG Wave on their album “In Visible Silence” which was released in 1986
  • New Order: The British band used PPG Wave on their album “Power, Corruption & Lies” which was released in 1983
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Moog Modular Synthesizer

The Moog modular synthesizer, also known simply as the Moog modular, is a type of electronic music synthesizer that Robert Moog first developed in the early 1960s. The device, which was among the first modular synthesizers ever made, had a significant influence on the evolution of electronic music.

The Moog modular synthesizer is made up of a number of individual modules, including oscillators, filters, and envelope generators, that can be connected using patch cables. This allows the musician to create complex sounds and control the various parameters of the instrument in real time.

The Moog 901, the original Moog modular synthesizer, was first released in 1964. This early design included many separate modules, such as an envelope generator, a filter, and a voltage-controlled oscillator. Avant-garde musicians and experimental composers were the instrument’s primary users due to its high cost.

Robert Moog continued working on the Moog modular synthesizer for several years, introducing additional modules and bolstering the instrument’s capabilities. He launched the Moog Model 15, a more portable and cost-effective variation of the original Moog modular, in 1967.

The Moog modular synthesizer gained popularity among a broader variety of musicians in the 1970s, including rock and pop performers. Numerous popular songs, such as Pink Floyd’s “Wish You Were Here” album and Hot Butter’s “Popcorn,” featured the instrument.

As newer, more affordable digital synthesizers became available in the 1980s, the Moog modular synthesizer’s appeal started to wane. But in recent years, the instrument has undergone a resurgence in popularity as more musicians and producers rediscover the distinctive and plentiful sounds that can be produced with a Moog modular.

In the world of electronic music, the Moog modular synthesizer is now viewed as a classic instrument. It continues to attract musicians and producers from a variety of genres thanks to its distinctive sound and flexibility. Modular synthesizers are still produced and sold by Moog, and numerous businesses also offer copies and replicas of the original Moog modulars.

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  • Wendy Carlos: Wendy Carlos was one of the first musicians to extensively use the Moog modular synthesizer in her music. Her 1968 album “Switched-On Bach,” which featured electronic renditions of compositions by Johann Sebastian Bach, was a commercial and critical success and helped to popularize the Moog modular.
  • The Beatles: The Beatles used a Moog modular synthesizer on the song “Because” from the album “Abbey Road” in 1969.
  • Keith Emerson: Emerson, keyboardist for the band Emerson, Lake & Palmer, was a pioneer of using Moog modular synthesizer in a rock context. He used the instrument extensively throughout the band’s career, and is widely credited with popularizing the use of the Moog in rock music.
  • Tangerine Dream: The German electronic music band Tangerine Dream was another early adopter of the Moog modular synthesizer. They used the instrument on a number of their early albums and helped to establish the Moog as a staple in the world of electronic music.
  • Giorgio Moroder: Italian producer and composer Giorgio Moroder is known for using the Moog modular synthesizer in disco and electronic pop music, especially in the 1970s.
  • Isao Tomita: Japanese electronic musician and composer, Isao Tomita, was known for his use of the Moog modular synthesizer in his classical music arrangements.
  • Pink Floyd: The band Pink Floyd used a Moog modular synthesizer on their 1975 album “Wish You Were Here.”
  • Jan Hammer: Jan Hammer, the keyboardist of the Mahavishnu Orchestra, used the Moog Modular synthesizer on the band’s album Inner Worlds(1976)
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Roland D-50

The Roland D-50 is a digital synthesizer that was first released in 1987. It is renowned for its distinctive sound, which combines real instrument samples with sound synthesis techniques to produce a fresh, hybrid sound.

The D-50 uses “Linear Arithmetic” synthesis, a technique that combines sample-based synthesis with the conventional subtractive synthesis method, making it one of its standout features. This makes it possible to have more control over the instrument’s timbre and a wider variety of sounds.

The D-50’s extensive use of presets is yet another standout feature. The instrument includes a wide range of pre-programmed sounds, such as accurate piano and string sounds and more experimental and abstract sounds. Because of this, even new users can quickly produce complex music that sounds professional.

Despite its age, the D-50 is still a preferred option for producers and musicians. Its unique sound has been featured on countless recordings and is still used in a wide range of genres, such as electronic, pop, and film scores.

The D-50’s lack of MIDI support is one drawback; it was introduced before MIDI became a standard, making it challenging to integrate with contemporary production environments. However, a MIDI retrofit or converter can be used to get around this.

Overall, the Roland D-50 is a legendary and classic synthesizer that is still highly sought after for its distinctive and adaptable sound. The D-50 is certain to spark creativity and give your music a fresh perspective, whether you’re a seasoned pro or just getting started.

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Sequential Circuits Prophet-5

The Sequential Circuits Prophet-5 is a vintage analog synthesizer that the company initially released in 1978. It was one of the first fully programmable synthesizers and immediately established itself as a standard in the music business. Many performers from different musical genres, including rock, pop, and electronic music, used it.

The Prophet-5’s five-voice polyphony, which enables the creation of intricate and varied sounds, is one of its defining characteristics. Additionally, it contains a voltage-controlled filter and two voltage-controlled oscillators for each voice, which can be used to modify the sound. Its user-friendly interface makes it simple for musicians to create new sounds and save them as presets.

Additionally, the Prophet-5’s small size and portability made it a favorite of touring performers. The live stage arrangements of well-known bands like Tangerine Dream, Depeche Mode, and New Order demonstrate this.

The Prophet-5 was used in popular music and soundtracks for movies and television shows, especially in the 1970s and 1980s. It was the ideal instrument for bringing depth and passion to a scene because of its rich and intricate sound.

The Prophet-5 was manufactured until 1984, and original machines are still in high demand and sell for a high price on the vintage market. But in 2015, Dave Smith Instruments unveiled the Prophet-6, a more contemporary version of the Prophet-5 that is still well-liked by synth fans.

In conclusion, the Sequential Circuits Prophet-5 is a well-known five-voice polyphonic, rich and complex sounding, and programmable classic analog synthesizer. Its portability and small size made it popular with traveling musicians, and many well-known bands’ music may be heard reflecting its influence.

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Arp 2600

The ARP 2600 is a classic analog synthesizer first introduced in 1971 by ARP Instruments. It swiftly established itself as a standard in the music business, being utilized by many different musicians in various musical genres, such as rock, pop, and electronic music.

The adaptability of the ARP 2600 is one of its distinguishing qualities. Three voltage-controlled oscillators, a low-pass filter, and a number of modulation possibilities are just a few of its many sound-sculpting options. A built-in spring reverb is another feature of the 2600 that can give the sound more depth and warmth.

In addition, the ARP 2600 includes a semi-modular construction, allowing it to function both as a standalone synthesizer and as a modular synthesizer when patched with outside signals. Due to its increased adaptability, it became well-liked among experimental musicians and sound designers.

The ARP 2600 was renowned for being portable since it could be carried around simply while providing various sound-sculpting choices. It became popular among traveling artists, and well-known bands like Styx, Tangerine Dream, and Led Zeppelin use it in their stage arrangements.

The ARP 2600 was used in popular music and soundtracks for movies and television shows, especially in the 1970s and 1980s. It was the ideal instrument for adding complexity and emotion to a scene because of its adaptability and strong sound.

Although the ARP 2600 wasn’t produced until 1981, it’s still a very sought-after instrument, and original models sell for a lot of money on the vintage market. Numerous well-known bands’ music shows its impact, and its legacy continues to motivate new musical generations.

The ARP 2600 is a well-known vintage analog synthesizer with a strong reputation for portability, adaptability, and sound quality. Many well-known bands’ music can be recognized as having been influenced by it because of its semi-modular design and variety of sound-sculpting choice

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Moog Minimoog

Robert Moog originally unveiled the iconic analog synthesizer known as the Moog Minimoog in 1970. It was one of the first portable synthesizers. It quickly established itself as a standard in the music business, being utilized by a variety of musicians in the rock, pop, and electronic music genres.

The Minimoog’s use of oscillators to produce sound is one of its distinguishing characteristics. A wide range of tone possibilities and the capacity to create complex sounds are made possible by the instrument’s three voltage-controlled oscillators. A low-pass filter is also included, which can be used to sculpt the sound and give warmth and depth.

The Minimoog’s interface was also straightforward and user-friendly, making it easier for musicians to produce new sounds swiftly. The oscillators, filter, and modulation may all be adjusted with the knobs on the front panel. A keyboard is also included for playing sounds. The synthesizer became more widely used because of its layout, making it affordable for musicians of all levels.

The Minimoog was renowned for being portable since it was tiny enough to be carried around easily but still provided a variety of sound-shaping choices. It became popular among traveling artists, and renowned bands like Pink Floyd, Tangerine Dream, and many others have used it in their stage settings.

The Minimoog was used in popular music and soundtracks for movies and television shows, especially in the 1970s and 1980s. It was the ideal instrument for bringing depth and emotion to a scene because of its rich, powerful sound.

Even though it wasn’t manufactured after 1981, the Minimoog is still a very popular instrument, with original examples fetching high sums on the vintage market. Moog Music relaunched the Minimoog in 2002 with enhanced features like MIDI and a bigger keyboard, and synth enthusiasts continue to favor it.

The Moog Minimoog is a true classic in analog synthesizers due to its warm and powerful sound, user-friendly design, and portability. Numerous well-known bands’ music shows its impact, and its legacy motivates new musical generations.

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